Urusei Yatsura: Dreaming Beautifully

This 1984 film, the second film in keeping with the fresh URUSEI YATSURA TV series, in turn in keeping with the fresh manga series of the identical title
by Rumiko Takahashi, is per chance basically the most easy truth-questioning characteristic film ever
made starring wacky excessive college students and their jealous position alien
girlfriends.  Directed by Mamoru (GHOST IN THE SHELL, PATLABOR THE MOVIE, AVALON) Oshii, BEAUTIFUL DREAMER is a mind-bending deem
section a ways eradicated from abnormal Urusei Yatsura hijinks.

All of us know about Tomobiki
Excessive College; stuffed with vivid
students and workers, home to weekly happenings of cosmic craziness.  Notorious lecher and unfavorable-ideal fortune magnet Ataru
Moroboshi is the 11th grade class-clown embarrassment, but his lowly
position is lost sight of by his girlfriend, the golf green-haired outer position princess
is named Lum.  As our film opens, the
scholar body is working itself feeble making ready for the college competition; an annual
fete of loopy Toho monster-film costumes, floats, parades, and varied college
spirit workout routines.  Most students are
half-tedious from exhaustion and overwork and the seemingly unending preparation,
and it appears to be like to be if the work isn’t very going to ever cease. 



However their teacher, the fiery Mr. Onsen-Impress, has any other
belief – that they after all ARE reliving the
same days time and again. They’re stuck in an unending cycle of early mornings
and gradual nights and vivid bunting and papier-mache.  Onsen’s contention is they’re trapped in the
famed fairy tale of Urashima Taro, the Jap Rip Van Winkle who rode a
turtle all the draw down to the undersea kingdom, frolicked for a fast whereas, and discovered when
he returned to the skin a hundred years had passed. When the students invent an effort to proceed
the college, they rep that every and each the trains grab them help to Tomobiki Living
and the whole cabs and buses assemble is force in circles, and the morning exhibits but
any other deja-vu day of competition preparation. 
It appears to be like to be inferior prosperous kid Shutaro Mendo’s secret emergency Harrier
VTOL Jet affords the finest ruin out – and but once in the air, the appalling
secret of Tomobiki’s isolation turns into particular. 



Decrease off from the Earth, nourished by a mysteriously
replenishing mini-mart, crowded into the family home of Ataru’s long-struggling
other folks; this likely LORD OF THE FLIES turns into an idyllic paradise of leisure
amidst the ruins of their passe home town. However the ideal nature of their
mission rapidly turns into particular.  Since this
is a 18 year veteran dub of a twenty-eight year veteran film that is, after all, called
BEAUTIFUL DREAMER, I don’t deem I’m spoiling anything else by revealing that yes,
that is all a dream – the dream of someone for whom the busy, bustling days of
the college carnival are the happiest of all.



BEAUTIFUL DREAMER is a curiosity; its theme is one who will
be revisited by Hollywood in movies
as disparate as GROUNDHOG DAY and THE MATRIX
(to not mention DARK CITY).  Oshii used to be no stranger to URUSEI YATSURA; he
directed scores of TV episodes and used to be called in to stay the foremost U.Y. film
ONLY YOU; and he used to be acquainted ample with the characters to make exercise of them as a
vehicle to ask his have questions.  BEAUTIFUL
DREAMER unquestionably captures a sense of disconnection where even something as
fashioned as your have dual carriageway can appear to be fully alien.  Here is the level where this wacky excessive
college SF comedy meets Philip Okay. Dick reaching for the gentle wire that isn’t there in his classic TIME OUT OF JOINT; the acquainted turns into irregular, and
then you start to impeach of if ANYTHING is what it appears to be like to be. 

BEAUTIFUL DREAMER is peculiar, even for an
anything else-can-occur series like URUSEI YATSURA. It’s an ambitious film that
asks questions and goes locations that UY doesn’t generally bolt, and whereas I’m all
for stretching boundaries and pushing envelopes, at the cease of the day that is
an Lum film without any musical segments, with treasured little Ataru comedy
moments, and where one of the most most funniest characters are relegated to the
background whereas the extensive majority of the exposition is left to the un-silly,
responsible kinds like Sakura. U.Y. purists would possibly maybe well likely be instructed to stick with ONLY
YOU.   



On the opposite hand, it’s easy to be conscious where Oshii and his
workers would be hungry to work on a completely different extra or much less URUSEI YATSURA yarn.  After larger than a hundred TV episodes and a
characteristic film that to Oshii felt like a long model of same, the escape to
stretch inventive muscle tissues will must were overwhelming.  In a roundabout draw I deem this extra or much less
truth-bending storyline is held help by the URUSEI YATSURA framework; U.Y. is
a expose where anything else and all the things can occur and usually does, and when
we’re confronted normally with aliens, storybook characters formula to
existence, robots, defense force hardware, mythological deities and ghosts, we are able to rarely
be anticipated to present BEAUTIFUL DREAMER the dismay-struck reception such a storyline
asks for.  It’s a gutsy transfer, utilizing an
established franchise like this; the deconstructive, “what does all of it imply”
utter tool wasn’t the cliché in 1984 that it would possibly maybe maybe well be twenty years later. 


No longer as orderly or as deliberative as Oshii’s later works,
BEAUTIFUL DREAMER clocks in at a lean 100 minutes.  Remarkably, for a film where unquestionably not that
a lot happens, it doesn’t appear to drag. 
The animation is up to Kitty Films/Studio Pierrot’s excessive standards, and
there are just a few scenes where things unquestionably sparkle.  You would possibly maybe maybe likely in particular seek for that Oshii’s crew
unquestionably loved the Harrier scenes.  
Mamoru Oshii’s like of Nazi memorabilia is a abnormal invent option; in The US
swastikas are puny to the covers of Fifties mens adventure magazines and
paperback thrillers about passe SS officers plotting to beat Argentina,
but Oshii sees nothing abnormal in the students of Tomobiki
Excessive College selecting Nazi Germany
as a theme for their entry in the college competition. This extra or much less inventive
thinking is why Oshii is a high film director. 
Or per chance Oshii is a high film director IN SPITE OF this extra or much less thinking.
It’s appealing to expose.   The crew used to be clearly
at home in Tomobiki Excessive; you don’t must always be a subtextural genius to resolve
out that the unending sweatshop atmosphere of the college carnival used to be a
reflection of unending days and nights working on URUSEI YATSURA itself.

The DVD’s commentary
track aspects a fully revelatory Oshii detailing the impact of
precise-existence events upon the script for BEAUTIFUL DREAMER, his experiences on the
TV animation treadmill, and his feelings against ONLY YOU.  The commentary track – Jap audio with
English subtitles – isn’t valuable to trip the film, but it completely surely provides
any other dimension to the film.


The dubbed model of this film used to be produced in 1996, and
appears to be like to be prefer it.  Whereas many of the
casting is legitimate and talented, none of the English skills comes end to
matching the spirit or the tone of the unique.  T. Roy Barnes is a appropriate actor and has a huge
convey for comic strip work; unfortunately he heavenly doesn’t sound like
Onsen-Impress.  The college nurse Sakura gets
the lion’s section of the dialog in the film, and Melanie Head’s line readings
are stiff and repetitive, pulling down lines that desires to be bringing the extra
implausible parts to existence.  Overall the
dub is representative of most dubs of the 90s – competent but flat, with little
of the conception and professionalism of currently’s dubs or the shameless rewriting
and overacting of the 60s and 70s. Nitpicks: Mendo is referred to in the route of as
“Shootaroo Mendow”, and whereas Lum’s brother Ten is after all at the age where
gender doesn’t subject quite a bit, it’s still evident to be conscious him normally known as a
“her”.  The customary Jap voices are
some of basically the most easy ever assembled; I’d stick with them.

Central Park’s DVD
start is a appropriate bundle, on the opposite hand; we rep the unique Jap trailer and
trailers for the AnimEigo start of URUSEI YATSURA  ONLY YOU as correctly as BEAUTIFUL DREAMER.  There’s also an art work gallery of film stills and
the spell binding Oshii commentary, moderated in section by Mr. CPM himself John
O’Donnell.  No longer to mention the fine
transfer of the unique film, itself a masterful instance of the excessive
level of the hand-drawn age of Jap animation.



A departure from the URUSEI YATSURA formula,
BEAUTIFUL DREAMER is both shimmering and dreamlike.  It marks the boundary between
easy, un-ironic storytelling and the extra introspective,
self-referential series that can maybe well apply. As an URUSEI YATSURA film it would possibly maybe maybe well not
apply the foundations, but nonetheless, that is UY, what solutions? Whenever you occur to pass over your
veteran-fashioned wacky URUSEI YATSURA there’s repeatedly ONLY YOU or the TV expose,
produced in a world where Oshii and his workers work long days and unending
nights, wondering if by some skill they hadn’t finished all this somewhere sooner than.

-Dave Merrill

A previous model of this review used to be initially printed at Anime Leap. 


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