digicam motion in thunder to express apart the performance between Kousaka and Kaori. The clip below is a side by side comparison
of their performance.
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The digicam work in Kousaka’s performance became all all over again dynamic
which gave her a superior presence as a performer. This pointless to claim supports the
conception that she’s the simpler musician. The first example is when the digicam
pulled support from an erroneous shut-up of their eyes. In Kousaka’s performance
the digicam pulled support farther and sooner. As you’ll glance in the pictures above,
for Kaori the digicam pulled support to a medium shut-up whereas for Kousaka it
pulled support farther to a medium shot.
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One more difference is the shot dimension of the live performance hall
at some level of their performance. The first image above is a big shot of the live performance
hall when Kaori became once playing and the 2d image is an erroneous huge shot of it
at some level of Kousaka’s performance. The erroneous huge shot gave Kousaka’s performance
the next sense of scale, which conveyed the simpler resonance and sharpness of
her trumpet playing.
Kousaka’s performance also had more digicam motion. You
might perhaps perhaps maybe need observed that the pans, tilts and lateral tracking pictures had a a lot wider
motion at some level of her performance. These digicam movements also showed more of the
viewers and their reaction which gave her trumpet playing more affect than
Kaori’s.