XGirl vs Supermacho, from Ovidie and Lust Cinema

Here is a absorbing project. Ovidie wrote and directed a transient film, then invited a male director, Dist De Kaerth, to instruct the same script, on the same devices, and basically with the same solid. Both movies feature the inimitable Stoya because the feminine lead, with Anna Polina because the varied lady. The male leads are assorted: Ricky Mancini, in Ovidie’s model, and Josh in De Kaerth’s. Neither film unearths who performs the role of the second man. We deem now we private got viewed him in assorted movies, though.

De Kaerth’s model is stuffed with porn cliches, and that’s entirey the point. Here is now not accurate appealing of the intercourse, nonetheless of the vogue the memoir unfolds, and the whole lot else. Maybe what’s most striking is the shortage of subjectivity in De Kaerth’s model, now not accurate for Stoya, nonetheless for her male accomplice, too. The total thing is clearly a send-up.

The intercourse in Ovidie’s model is natural and apparently unscripted. As regular, Stoya herself is improbable, and splendidly expressive, though in a technique that’s utterly natural. In De Kaerth’s model, obviously, all of the intercourse is noteworthy more pornish, with facials and anal in the first threesome, then POV and dual cock sucking in the second.

The pictures in Ovidie’s model is intimate, centered on their faces and tiny print of their bodies, though there are some wider shots, too. In De Kaerth’s, it’s obviously noteworthy more pornish, over again.